#MaslowBeforeBloom

One advantage to online teaching is the occasional moment to consider things outside of “school”, and possibly the time to act on them. This could be a small home chore, project, article, news blast, social media check in, moment of silence, or many other things. Today was a chance to dig into Dr. Pearlman’sMaslow Before Bloom“. This fantastic (and easy) read is digestible, thoughtful, reflective, and empowering.

“If a student is hungry, tired, or scared — give them food, a nap, or a hug. This does not require board approval or a bond issue. It seems so simple. It is simple. It is also very effective.” (p 8)

Throughout my career, I have participated in a number of conversations about students that are focused on the WHAT a student is doing and ignores or dismisses the WHY a student is doing it. You can contextualize it in a behavioral setting, academic setting, or…

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The Inspiration We Receive (and maybe provide)

During these unique times, it has frequently been said that the arts will get us through. They will heal us. They will explain to us. They will inspire us. They will reflect us. In alternate conversations, the challenges of our society looked to schools for assistance and sollutions. As an educator, this was both empowering and frustrating… it is not a school’s responsibility to make sure the economy is working, but students can benefit greatly from the routines and social engagement of the school setting.

In my own journey, I felt a sense of duty to provide students a meaningful learning experience while supporting the diverse and complex social/emotional perspectives. This responsibility was heavy, but was driven by purpose. Every student deserves an…

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Dear Diary, today I learned…

Over the past few months, we have faced an “unprecedented” pandemic, impacting communities and societies without prejudice world wide. These categorizations allowed us to feel a disconnect to the realities of our realities. Words like unprecedented, never-before, and unparalleled described this COVID-19 health crisis.

Then, on May 25, 2020, George Floyd experienced something that doesn’t fit any of these descriptions. It was not an “unprecedented” moment, it was not a “never-before” moment, Read more of this post

Stocking the Vending Machine

In the effort to maximize my own summer growth, I have targeted a few books that have been on the radar for a few months. These include:

Launch” – Spencer (@spencerideas) & Juliani (@ajjuliani)
Originals” – Grant (@AdamMGrant)
Innovators Mindset” – Couros (@gcouros)

I have followed each of these authors and their Twitter accounts for some time (yes, I use Twitter as my own PD vending machine). What intrigued me was the potential application of their perspectives to my own philosophical position and the connection to the students I interact with daily at my school. Their (my students’) relevant education was at stake and I needed to potentially shift my own paradigm to better engage with and for them.

I spent a little time exploring the beginnings of these books trying to determine the best order to read and reflect on them. I decided “Innovators Mindset” was my starting line (followed by “Originals”, then “Launch”…this order best suited me. I encourage you to reflect on your own perspective.) Right away, I was struck with a few powerful Read more of this post

‘Music in STEM’ vs ‘STEM based Music’

So, a conceptual problem I have wrestled with for a while… What is the difference between a music class in a STEM environment and a STEM based music classroom?

First, you may need a refresher on what STEM is (a general review).

…that being said, here is THE question I continually ask myself…

What is the difference between a music class in a STEM environment and a STEM based music classroom?

A STEM based environment has a hyper focus on the Science-Technology-Engineering-Math aspects of our educational process. The learning in these areas provides a trendy approach to curriculum. But, without defaulting to the ‘STEM should be STEAM to include the Arts’ position, we need to deconstruct the components of this perspective. Why should we include the Arts? What value is there in including such a ‘feel good’ and ‘vague’ aspect of the school community? After all, the Arts are “FUN” (…my favorite position!!).

Before we do anything, we MUST acknowledge that music exists beyond the formal school ensemble that dominates our current system. In addition, we also MUST acknowledge that musicking (the verb of doing music) is a process that individuals around the world participate in on an everyday basis.

If students regularly engage in musicking, shouldn’t our classroom quickly move past STEM? The inclusion of the ‘A’ becomes a formality and STEAM becomes the accepted norm. Incorporating music in a school community that embraces and narrow confines of STEM as the structure eliminates the inherent activities of students as human beings. The Arts, as an an act of ‘doing art,’ embraces that students may not realize or identify that they are engaged in ‘Art’ but by nature of being members of the community, are musicking (doing ‘art’).

So, creating music within a STEM school is simply tying musical concepts into the tenets of STEM (Science-Technology-Engineering-Math). Creating music in a STEAM environment encourages students to evaluate their ‘musicking’ within the focus of STEM. Regardless of the label attached, music in STEM is far beyond thinking about music as a mathematical activity. It is beyond including the iPad in the ensemble classroom (“technology”). STEM based music is about changing the viewpoint of  musicking. How we think about the process of musicking (idea, experimentation, feedback, refinement, sharing, risk taking, etc…) is inherently different in this newer perspective.

So, can we music within STEM beyond YouTube and loops? How does STEM embrace musicking?

#TimeTEAM16
#STEMvsSTEAM
#musiced
#vernmus

 

Allowing Their Voice

When we challenge students to find the voice within their musical expression, we often create boundaries (intentionally or otherwise) that can alter/enhance the expressive perspective of the students. If we do not allow for relevance and limit them to our expected expression, the investment and creation generated from the students Read more of this post

Reflections on the box

There are many discussions in our profession today about traditional vs nontraditional approach to the music (ensemble) classroom. I have reflected on my own identity, as well as my experiences and mentors that helped shape it. As I move forward, there is a consistent struggle Read more of this post

Not my job.

The answer is “I don’t know why they can’t ________, we covered that in class.” Now, more importantly, what was the question? Too often, music educators utilize this answer to a myriad of questions about why their students could not, would not, don’t, or can’t demonstrate a vital component of “musicianship” on demand. Unfortunately, the real question should be about whether that lesson really “covered it in class.”

When lessons are taught, understanding should be our goal (of course, that does not mean memorization). Allowing students the opportunity to engage with the material in relevant (to their own lives) and multi-perspectival ways is vital for students to continue developing understanding of that material (with both breadth and depth). Read more of this post

Confessional

So, I’ve decided that it is time to confess. I have participated in, vehemently supported, and even led the perpetuation of a tradition, without every questioning it. Now, by the very nature of a tradition, newbies are not usually in a position to question. The focus is on conformity. As I grew up within this tradition, I learned the inner workings, the subtle variations, and became skilled at keeping the tradition intact. The past couple of years, the tradition has felt incomplete (for me) and I started looking for alternate opportunities. Now, I feel comfortable enough to offer my formal confession… My name is Nathan Johnston, and I am a band director.

On the surface, being identified as a “band director” seems harmless. And in many ways, I still feel that it is harmless. But, when working with students from a variety of communities, cultures, interests, and abilities, being ONLY a band director can be limiting. Read more of this post

What makes a tuba a tuba?

What makes a band a band? What makes a choir a choir? What makes an orchestra an orchestra? What makes music music? What makes…  As I continue to travel this glorious rabbit hole called a PhD, I am constantly challenged on my beliefs and understandings of what music is, what being a musician is, what being a music educator is, and the complex relationship between each of these. The identity I have as a band director only encapsulates a small portion of my musical being. Read more of this post

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